Velvet Elvis, Discipleship and Truth

I just finished reading Velvet Elvis by Rob Bell, who is a pastor in Michigan. I generally liked the book, though the style of it interfered with the message for me at times. The writing is a hybrid between a Powerpoint(r) presentation and prose, with lots of 'bullet points' (sentence fragments standing alone without a paragraph) mixed with paragraphs. It is something like reading half of a dialogue. While this was distracting, much of the content was good as I seek to understand the disconnect between my generation and my children's generation. I read in the paper last week that there is a bigger 'generation gap' now than at any time since the 60's. It certainly seems that way in church, so I hope to gain some insight into that over time.



I liked Velvet Elvis much better than Blue Like Jazz. The latter seemed to me much more existential, making comments about how Christianity can be experienced but not understood, that 'truth means much more than accuracy', that the 'mystery' of the Orthodox church was 'cool' just because it was different. The overall tone of Blue Like Jazz struck me as very existential, as if he had given up on the concept of truth as anything other than personal experience.



Velvet Elvis, while the style was neither fish nor fowl, was more truth-oriented. The book was worth the price (or more, since I got it at a discount book warehouse in Pigeon Forge for about three bucks) for the chapter on discipleship. I suppose you could call it a chapter; maybe it was a Powerpoint section. In any case, it was about discipleship. That chapter gives a terrific overview of how rabbis of Jesus' day had followers, how they were the best-of-the-best from the Torah schools, how the rabbi did not accept just anyone to be a disciple, and so on. This gave both a great context for what it meant in that culture to be a disciple, and how Jesus also made discipleship into a new thing, gave it new life, by calling as his disciples a group of men that would not have made the cut into the discipleship groups of the other rabbis of the time. Frequently in the book, Bell puts this kind of context around his point, illuminating how understanding the culture of the time changes how we understand many of the teachings of Jesus. He includes information about a place known as 'the Gates of Hell' in Casesarea Phillipi, and that the god Pan was worshiped there in obscene ways, and that His declaration that His church would be build on a different rock and the Gates of Hell would not stand against it was a reference to that place and that kind of worship. We usually miss that connection, even though we may have seen pictures of that place, as I have. The great grace of discipleship is that the Christ, the ultimate rabbi, thinks we can be like Him, and that we can carry on His teaching and ministry, even if we could not make the cut for the other rabbis.



He also directly addressed a question that has been on my mind: why so many kids who grow up in a Christian home and a sound church leave the faith when they leave for college. He suggests that one possibility is that they may have been taught that Christianity encompasses all that is really true, that all the truth in the secular world is suspect. Especially if they also went to a Christian school they may have gotten this idea. Then they find out that there is some truth out there in the world but are not prepared for the reality that all truth is God's truth. This can appear like a refutation of the faith they grew up with. It is an interesting thought, though probably not the only reason for this falling away of many at college. This emphasis on truth was much more palatable to me than the existentialism of Blue Like Jazz.



There is quite a lot in the book that still left me feeling the generation gap. His reference to being in a punk rock band while also a pastor is one example of that. The wedding at the lake for his friends who wanted it to be 'spiritual' but not 'Christian' was another example. At times he was a bit New Age-y, but he still managed to hold on to the concept of truth. 'If it is true, then it isn't new' he says at one point. Exactly!